“We’re Doomed”
Despite its grit and grind, “We’re Doomed” has enough groove and gravitas to keep things infectious and accessible. It’s like taking the perfect pop song and covering it in broken glass and iron filings. And I mean that in the very best of ways. – The Big Takeover
A melodic alt/indie rock anthem tailor-made for the end times. With their signature blend of male/female vocal harmonies and infectious melodies, the Raleigh, North Carolina trio captures the chaos of modern existence while still finding a way to make you tap your foot.
– Last Day Deaf
They deliver via a Pixie-esque (I know that is an overused, go-to reference, but in this case, it is the perfect one) blend of big guitars and post-punk melody, raw, abrasive sonics, and dynamic deliveries. It’s the art of the on/off, the loud/quiet mechanic at work. Opposites do attract, and then some. – Dancing About Architecture
A refreshing shot of sonic intensity. – Indie Dream
Captures the uncertainty and unease in American society today. The song places the listener in the middle of an existential dilemma while still providing a hook that makes you want to dance to the doom. – Parapop
Lyrically, “We’re Doomed” is a nudge, a reminder that giving up is the only way to truly lose. It’s that inner voice telling you to keep pushing, even when the world feels like it’s crumbling. And somehow, despite all the tension, the melody sticks—infectious, anthemic, the kind of hook that lingers long after the song fades out. It’s indie rock with a purpose, a rallying cry for anyone feeling lost in the chaos. If this track is any indication, The DOOM EP is about to be something special. – Hella Fuzz
With its dynamic energy, infectious melodies, and thought-provoking lyrics, “We’re Doomed” solidifies Goddamn Wolves’ place as a standout force in indie rock. – Not So Pop Music Blog
What really sets “We’re Doomed” apart is how it balances accessibility with edge. The dual vocal harmonies between Weilding and McCullough add an infectious pop sensibility to the mix, but the band wraps these catchy melodies in layers of distortion and post-punk attitude. It’s like finding a shiny diamond in a bed of broken glass – beautiful and dangerous all at once. – You Hear Us
From the jump, there’s a delicious tension—crunchy guitars slice through tight rhythms, and the dual vocals of Chris Weilding and Laura McCullough weave together in perfect contrast. There’s grit here, but also undeniable charm. You can hear echoes of ‘90s alt-rock greats, but this isn’t some nostalgia trip. This is fresh, alive, and speaking directly to now. – Indie Hub Mag
Goddamn Wolves 